Besides telecosmism, “telelogy” is the most important strategy of post-gravitational art. By digital structuring of information, light and sound, a stylistic formation will emerge from telelogy in future.

Just as telelogy is a digital strategy for post-gravitational art, telecosmism is its theatre strategy.

An important precursor of telelogy is Stan Van de Beer’s (1966) method of didactic telematics: I suggest we immediately start exploring the possibilities of pictorial language based on moving pictures. We must immediately investigate the existing audio-visual aids and combine them with educational tools. I will call it the Empirical Machine or the Cultural Intercom. For the establishment of audio-video research centres, I suggest an international context. The centres should use existing audio-video hardware and development of new aids for producing the pictures: storing and transmission of visual material, transmission of moving pictures, television images, computer images, video tapes. In short: I suggest a complete review of all audio-video aids and processes with the aim of finding the best combination of machines for non-verbal exchange. The training of artists at an international level must be directed towards using these tools for an immediate development of the prototype theatre!