Microchoreography is the conscious and reflected moving material that applies to the actor’s facial zones. By repeating and serialising emomechanical movements we emancipate ourselves from the mimetic and the narrative.

Just as biomechanics is not a series of trained repetitive figures but is an individual functional moving mass, giving the viewer transparency and legibility of ideas on stage, so microchoreography allows us undisturbed observation of emomechanical moves separated from the emotive attitude of the narration of the actor’s role.

Microchoreography is a tool for abstraction and a collection of micro mimes, which will be saved in the umbot as information for processing the “syntapiens”.